For four decades Sources of Chinese Tradition has served to introduce Western readers to Chinese civilization as it has been seen through basic writings and historical documents of the Chinese themselves. Now in its second edition, revised and extended through Deng Xiaoping and Jiang Zemin--era China, this classic volume remains unrivaled for its wide selection of source readi...(展开全部)

A collection of seminal primary readings on the social, intellectual, and religious traditions of China, Sources of Chinese Tradition, Volume 1 has been widely used and praised for almost forty years as an authoritative resource for scholars and students and as a thorough and engaging introduction for general readers. Here at last is a completely revised and expanded edition o...(展开全部)

Since it was first published more than forty years ago, Sources of Japanese Tradition, Volume 2, has been considered the authoritative sourcebook for readers and scholars interested in Japan from the eighteenth century to the post-World War II period. Now greatly expanded to include the entire twentieth century, and beginning in 1600, Sources of Japanese Tradition presents wr...(展开全部)

The recipient of the Kluge Prize for lifetime achievement in the humanities and the Tang Prize for "revolutionary research" in Sinology, Ying-shih Yü is a premier scholar of Chinese studies. Chinese History and Culture volumes 1 and 2 bring his extraordinary oeuvre to English-speaking readers. Spanning two thousand years of social, intellectual, and political change, the essays...(展开全部)

From posters and advertisements to book covers and magazines, this volume presents a dazzling panoply of graphics, brilliantly uncovered by the authors from long-forgotten sources, mostly in China itself, after surviving innumerable upheavals: natural catastrophes, war and revolution. Beginning with the basic traditions of Chinese graphics, the authors show how the writer and a...(展开全部)

From posters and advertisements to book covers and magazines, here is an astonishing collection of graphics, brilliantly uncovered by the authors, the long-forgotten sources, mostly in China itself, having survived innumerable upheavals: natural catastrophes, war and revolution. Beginning with the basic traditions of Chinese graphics, the authors show how the writer and artist ...(展开全部)

Book Description A legendary bestseller for more than forty years, this is the classic survey to the field from the Middle Ages to the twenty-first century. With 274 authors, the Eighth Edition deepens its representation of essential works in all genres, ranging from Seamas Heaney's award-winning translation of Beowulf, Milton's Paradise Lost, and More's Utopia to the great p...(展开全部)

In a groundbreaking approach to avant-garde Chinese art, the 1999 exhibition “Transience: Chinese Experimental Art at the End of the Twentieth Century” established a historical framework for current artistic production in China. Organized by the David and Alfred Smart Museum of Art at the University of Chicago, the show and its catalog highlighted the diverse responses of twent...(展开全部)

In a groundbreaking approach to avant-garde Chinese art, the 1999 exhibition “Transience: Chinese Experimental Art at the End of the Twentieth Century” established a historical framework for current artistic production in China. Organized by the David and Alfred Smart Museum of Art at the University of Chicago, the show and its catalog highlighted the diverse responses of twent...(展开全部)